What to do with a new Pelikan Souverän M600 with M nib that shows writing problems despite good ink flow?

The problem is mostly to be assigned to the nib itself, not to the fountain pen as a whole. At the specialist shop where the M600 was bought, the nib can be exchanged without complication; a return or complete exchange of the writing instrument is not necessary. The M600 is generally regarded as a recommendable writing instrument.


Which letter paper is suitable for fountain pens with a broad nib if the writing image on structured laid paper is unsatisfactory?

There is not the one ideal letter paper; writing feel and writing image depend on nib width, writing angle, pressure, ink and writing direction. Tried and tested are Gohrsmühle Bütten as well as Conqueror in the variant Smooth Satin CX22, ideally in cream; on these papers the pen glides silently and the writing image remains clean. Structured laid paper can be problematic with broad nibs. Conqueror bright white seems to some collectors too much like copy paper; ribbed variants can again cause writing problems.


Are vintage Montblancs like the 344 also counterfeited, and what should one heed with suspicious eBay offers from China?

There are indeed counterfeits of older Montblanc models that crop up at irregular intervals on Penbid and eBay. In the specific case, the photos had been stolen from another auction; what would have been delivered would presumably have been a StarWalker counterfeit. Warning signs are seller accounts with lots of "zero" ratings collected within a few hours, as well as sellers from China. PayPal does refund the purchase price in the case of a dispute, but not the often artificially inflated shipping costs through which the fraudsters profit. Collectors generally advise to be especially careful with Chinese sellers.


Are a Montblanc fountain pen and ballpoint with a striking silver ring under the cap thread genuine?

The writing instruments are genuine at their core but appear to be assembled from various parts; a silver ring under the thread could indicate a front part of a 145 Platinum that has been combined with other components. The nib tip seems asymmetrical and is presumably damaged; a blind engraving that was not mentioned in the auction description is also recognisable. The clip of the ballpoint is visibly bent. In combination with an inexperienced seller without a rating profile, collectors advise against the purchase and recommend waiting for a better offer.


In which original packaging was the Montblanc 149 with silver rings from the 1950s delivered?

The 149 with silver rings, produced from 1952 onwards, was delivered in various cardboard boxes (presentation boxes), typically in the largest variant used at the time. In the 30s and 40s Bakelite boxes were still common; in the late 50s, boxes of celluloid and covered hinged boxes followed. In the early 50s, that is, fitting the early 149 with flat feed, simple cardboard boxes were used, which were primarily intended as gift packaging and one-time transport. Anyone who valued a more exclusive case could acquire separately available leather etuis; proper presentation cases by Montblanc only came up later, when the 149 already had lamellar feeds.


What is the background story of the Montblanc edition limited to 5 pieces, presented in 2011 in the Paris fashion shop Colette?

The correct name of the edition is not "Montblanc Nike" but "Montblanc Marinière for Colette". The striped pattern quotes the then jersey of the French national football team, and the blue corresponds to the colour of the Colette logo. As part of the campaign, the Paris fashion boutique Colette invited several brands (e.g. Longchamp, Montblanc) to reinterpret one of their leading products. The fountain pen was made of white Meissen porcelain and limited to 5 pieces at 2500 euros each.


How can one tell whether a silvery-looking vintage pen is actually made of silver?

Decisive is the hallmark on the clip or barrel: if it says "900" (or another common silver hallmark), it is real silver. If, on the other hand, "Alpaka" is stamped, it is silver-plated nickel-silver alloy (copper-nickel-zinc) and not a precious metal. A more precise determination is only possible with knowledge of the concrete hallmark.


How does one prevent the barrel of a plug-on cap fountain pen like the Aurora Optima from coming loose by itself in the inside jacket pocket?

Collectors report that the problem occurs especially when driving, through repeated movement, fastening the seat belt and getting out. It has proven helpful to carry the pen by clip exclusively in the narrow, shorter left inside pocket of the jacket, not in the wallet pocket. With plug-on cap constructions, the risk is basically higher; models like the Bohème or a Pilot Capless are safer here. Bent clips can in many cases be bent back without disassembly.


How does one recognise counterfeits of the Montblanc Writers Edition Jules Verne?

Counterfeits exist on a larger scale of both the rollerball and the fountain pen Jules Verne, in the colours black, red, green and blue, and also of vermeil and StarWalker rubber variants. Recognition features: the nibs of the counterfeits bear the mark "Iridium-Point Germany". All fakes have the same serial number 14873 as well as an etched, blurred-looking, mattly shimmering Jules Verne inscription. The fountain pen is also delivered only with cartridge converter; the clip, on the other hand, looks relatively convincing. On relevant Chinese sites, the counterfeits are offered for about 60 US dollars.


Where can one find a Montblanc ballpoint from the "Eleventh Finger" series as a replacement for a stolen heirloom?

The "Eleventh Finger" series was an advertising claim by Montblanc for ballpoints whose centre of gravity was clearly at the tip and which therefore lay particularly well in the hand. They existed exclusively as ballpoints in gilded version in price ranges from about 4.95 to 30 DM; solid-gold variants did not exist. Since ballpoints are usually used as utility objects until end of life, the search is difficult; the best chances are offered by collectors' meet-ups and fairs, where ballpoints are often offered along at low prices.


How old is a Montblanc ballpoint whose refill is extended via a side lever in the clip?

It is presumably the Montblanc 215, which was produced between 1957 and 1959. The model number is usually stamped on the barrel band and should be checked for confirmation. As a refill, a Ballograf refill is also suitable. For value determination, reference is made to Axel's forum article on the value determination of Montblanc writing instruments; as a market price around 30 euros is mentioned, comparable to the Pix 276.


What does the nib width "S" mean on Montblanc fountain pens?

The designation "S" stands at Montblanc for "Special" and was offered only briefly and exclusively on the fountain pen 145 "Chopin". The nib is characterised by an extremely broad and absolutely spherical writing tipping, which makes writing easier for left-handers and writers who need a broad writing contact. The S nib has not been produced for some time.

General questions on writing instruments


How is the ink line of Scribal Work Shop, e.g. the variant Nessie, to be classified?

Scribal Work Shop is an American ink manufactory of the chemist Lucas Tucker, which has specialised in historical writing inks and places particular emphasis on non-toxic ingredients; even a child-friendly ink line exists. In the forum thread, no further technical details are exchanged about the ink itself. Generally, regarding scented inks, it is noted that the scent can concentrate strongly in the cap and is intensively released when opened, which is why some collectors prefer scent-free inks.


Which stationery shops and addresses for high-quality writing instruments are there in Budapest?

The first address in Budapest is Váci Utca; further points of contact are Kossuth Lajos Utca, Rákóczi Út and Múzeum Körút. Specific shops change frequently, since many long-established shops give way to trend shops. When asking, the Hungarian terms "írószer" (stationery) and "töltőtoll" (fountain pen) help. A Montblanc boutique was at the time of the discussion in planning near the opera.


When and with which writing instruments was the Montblanc tin box delivered, and how high is its rarity value?

These are praline or gift tins that Montblanc handed out to employees and good customers at Christmas; the tins are regularly in circulation and have no special rarity value. There were tins specifically tuned to the 164 ballpoint with matching pen insert, Montblanc paper and a service-guide compartment. In total, about 14 special Christmas tins as well as 2 boxes for 164 ballpoints are known. Such tins are also partly being remade and are occasionally available for around 10 euros.


What is to be made of the own writing instruments that Degussa today offers under their name?

Degussa, historically known as a nib manufacturer, today has writing instruments produced under its own name. The pieces are regarded as visually appealing but quite expensive. Comparable solid-silver models like the Waldmann Commander made of 925 sterling silver are even higher in price. Collectors point out that such silver fountain pens are often too heavy for prolonged writing and therefore do not suit every writer.


Is ink leakage on the underside of the nib of a new Lamy 2000 normal?

Ink leakage on the underside of the nib is not typical on the Lamy 2000; mostly the problem does not occur. It is recommended to turn directly to Lamy customer service in Heidelberg, which is predominantly judged positively. More common, on the other hand, are ink deposits at the tip, against which regular cleaning of the cap helps. On planes, the Lamy 2000 is unproblematically usable.


Who can repair an old Eversharp fountain pen with a defective ink sac in the Paderborn area?

Specific repairers in the Paderborn area are not known among collectors. The first port of call should be a local writing-instrument specialist shop, which usually forwards to a specialised repairer; the writing instrument then mostly has to be sent in. The collector pages refer under "Web links – Repair" to further addresses. Horst Schrage of maxpens.de is also recommended, who, although specialised in Montblanc, generally also works on other historical fountain pens.


Why does one not get along with Montblanc Meisterstücks (149, 146) despite repeated nib exchanges, and glide better with other brands?

Frequent causes are writing posture and pressure behaviour: left-handers and writers with an untypical posture angle or high contact pressure often do not get along with Montblanc nibs from OM upwards. Every nib is individually ground and written in, which is why the usual nib width of other manufacturers cannot be directly transferred; in a boutique the after-sales service can re-grind nibs or exchange them. The choice of ink also plays a role, since some inks harmonise poorly with Montblanc's feed system; Montblanc ink in Montblanc pens reduces problems. Generally, manufacturers like Omas with ebonite feeds offer a more saturated ink flow, but they dry out faster and tend more to leak.


Does fountain-pen ink have a use-by date, and can decades-old ink from eBay offers still be used?

Ink has no categorical use-by limit; in collector circles, Pelikan and Montblanc inks from the 1950s and 1960s are also successfully used in writing instruments without problems occurring. Older blue inks are partly even appreciated colour-wise. Nevertheless, caution is in order, and one should not fill old ink into particularly valuable fountain pens, since drying-out and contamination risks exist. Earlier forum posts on this subject contain further experiences.


How are the gilded desk accessories of the Spanish brand El Casco to be classified?

El Casco accessories consist of steel that, after polishing, is coated with two layers of nickel, two layers of copper and finally two or five layers of 23.4-carat gold. Stapler and hole punch are regarded as classic and harmonious in design; on dark desks they look particularly attractive. The tape dispenser, on the other hand, is felt to be stylistically not quite fitting, since it appears more angular and modern than the otherwise rather rounded pieces. Since November 2003, El Casco has additionally distributed two leather collections. In Germany, distribution is via Dr. Gold KG, whose website offers extensive product views.


What information is there on the Lamy 67P, and what is it worth today?

According to information from the manufacturer, the Lamy 67P was produced in the 1970s, presumably between 1971 and 1976, with a then retail price of about 10 DM; an alternative Lamy statement dates it to the 1960s, which is not unambiguously clarified. It takes standard cartridges; earlier, Pelikan and Montblanc cartridges also fitted, but the connection was changed later. The model has hardly any collector value; it was a simple school or utility pen.


How is a Montblanc 134 with a foreign stainless-steel nib and imprint "DRP 652405" to be classified in time?

It is not a fountain pen from wartime production; the short cap top of celluloid as well as the refurbishment by Lutz Fiebig speak for a dating around 1950 to 1952. The stainless-steel nib found is definitely not a Montblanc original, since Montblanc always fitted its own nibs; it was subsequently exchanged. The rear engraving "OBB" actually points to a broad oblique gold nib, which confirms the later nib alteration. With very good condition one should be critical: a yellowish, striped ink window is a more reliable sign of low use than a polish-shiny body. Repairs including new cork seal are reliably carried out by Lutz Fiebig.


Which model is an unknown older fountain pen from family possessions?

The piece depicted is an original from the Montblanc range 252, 254 or 256, depending on size; the exact model number typically stands at the rear on the turning knob. If this number is missing entirely, a sure assignment is difficult. The basic nib form fits this model range; whether the nib is bent or the iridium tipping is intact can only be judged with better photos. For value determination, reference is made to Axel's forum article on valuation principles.


What does the serial-number marking "S/0503" on a Montblanc Agatha Christie mean?

The leading "S" stands for "Service" and indicates that the writing instrument has already been at Montblanc for repair once. Since for every limited edition a complete spare-parts inventory cannot be kept, exchanged parts receive this special S marking. Specifically, only caps are given S numbers, since the limitation number is engraved there; on non-limited writing instruments no such limit number exists, only the production coding.

Related pages on fountainpen.de:
• Montblanc Writers Edition Agatha Christie (1993): https://www.fountainpen.de/writer-christie-en.htm


Is the "Perfect Pencil" by Graf von Faber-Castell, limited to 99 pieces, worth the asking collector's price?

The list price was then around 9,000 euros; the high value results from the cap of solid white gold with three larger diamonds. Collectors evaluate the price-performance ratio critically and prefer, for comparable money, several Montblanc Limited Editions instead. The regular, non-limited "Perfect Pencil" with or without integrated sharpener, on the other hand, is appreciated as a pleasant and successful collector's piece.


Is it worth bidding on the rare Montblanc 162 rollerball from the 75th Anniversary Edition on eBay?

With the seller specifically discussed, caution is advised; despite a high rating count, individual collectors after payment have received neither the goods nor their money back in full. More reliable are other providers like pekebuddy. The 75th Anniversary Edition is regarded as exceptionally desirable; the 144 and the Mozart sizes of this edition can be viewed e.g. in the Düsseldorf Montblanc boutique; a 146 of this range is extremely rare. Before bidding, it is recommended to have the auction evaluated by experienced collectors and, if appropriate, to consider direct offers from private collectors.


Do two nib variants in 14kt and 18kt gold actually exist on the Montblanc 147 of the Special Anniversary Edition, and how does that come about?

Both variants are original. Montblanc traditionally delivers writing instruments for the French and Swiss markets with 18kt nibs, since French law only speaks of "gold" from 750/1000 gold content; in the rest of the market, 14kt nibs (585) are fitted. For the respective variants, Montblanc has different ID numbers. Since Montblanc writing instruments are internally identified primarily via the clip-ring numbers, it can also happen with a mix-up that, e.g., the body of a Solitaire Doué (with 18kt nib) is combined with other components. Montblanc customer service is sometimes not informed about this 18kt variant and wrongly classifies such pieces as fakes.


Where can one obtain acrylic or plexiglass blocks for presenting a Montblanc collection in the showcase?

The typical acrylic or plexiglass presentation blocks from stationery trade are hardly available in retail but occasionally crop up on eBay. An alternative are Visconti boxes with transparent lid, which do not allow a 360-degree view but show writing instruments very appealingly; enquiries directly to Visconti are mostly not answered; sources are e.g. Mrs. Blankenhorn (fuellhalter.de) and scription.de.


Until when were Montblanc 144s with a flat feed produced?

By "flat" are meant the hard-rubber feeds with small longitudinal lamellas, which were fitted in the pre-war series as well as in the 14X celluloid fountain pens until about 1955. In the mid-1950s they were replaced by the more rounded feeds with transverse lamellas, which are used to this day in slightly modified variants. The Wedding Pens of the early 1990s, contrary to a widespread view, also already have the rounded transverse-lamella feeds, not the flat ones.


Is the peeling of the rubber coating on a Montblanc StarWalker Rubber a normal sign of wear or a counterfeit indicator?

A peeling colour or rubber coating is not normal and does not usually occur on originals; comparable defects are rather known from counterfeits. With an original piece, the pen can be exchanged within the warranty, although the exchange often only takes place after assessment by Montblanc customer service. Collectors advise having the writing instrument complained about and replaced.


What information, factory and ID numbers as well as prices are known about the Montblanc Meisterstuck watch (Quartz and Solid Gold Automatic)?

The number 49392 mentioned does not correspond to any official Montblanc ID number; an unambiguous assignment only succeeds with a photo. The Quartz variant "Star Gilt" with silver dial, ETA movement 955.112, 36 mm stainless-steel case with PVD gold coating, sapphire glass and 30 m water resistance, was offered at a boutique price of 765 EUR. Solid-gold watches appeared as Reserve du Marche, Automatic, Automatic Chronograph, DualTime, Quartz as well as two ladies' Quartz models, each with alligator strap. The solid-gold variant discussed here was the "Large Automatic" with ID number 18602, former RRP 2,750 EUR, which is no longer being produced. A solid-gold execution can already be recognised by the dial.


How does one rinse a Montblanc 146 piston filler in order to remove blue ink completely?

The fountain pen is filled and emptied several times with clear water; usually this is sufficient in less than a minute, until the water remains clear. With stubborn residues, one can place the pen overnight nib-down in a glass of water or shake it vigorously with water plus a little air, in order to loosen ink from the tank. Then push out residual water with the piston and dry the nib with a cloth. As a last resort, an ultrasonic bath with distilled water helps, into which, however, only the nib and at most 0.5 cm of the barrel should be immersed.


What do the additional characters instead of a hyphen between "Montblanc" and the model number on the cap ring of a Montblanc 344 mean?

Such additional characters are not engraving errors but were factory-present and are also found on further models of the 3 series from the same production period. The reference to the "white star" in collector literature does not relate to the cap ring but to the fact that the 3 series, in contrast to its predecessors, bears a white star instead of an engraved star in the cap top. There were also variants entirely without a star, which were produced for the Islamic market because Montblanc at that time feared confusion with the Star of David. These models are otherwise identical in construction and bear the regular model numbers in the usual places.


Where can one obtain high-quality collector's boxes for fountain pens, and do larger models like Charles Dickens or Jules Verne fit inside?

Collector's boxes are offered outside Montblanc boutiques by, among others, penboard.de and maxpens.de. Larger limited editions like Charles Dickens or Jules Verne do not fit into every box; before purchase, an enquiry with the dealer is recommended. For embedding pictures in the forum, photos must beforehand be reduced in resolution and file size with an image-editing program like Gimp or Photoshop, since the forum only accepts small files.


What is to be made of the Montblanc Heritage Collection 1912 Limited Edition, and which variants are announced?

Alongside the titanium version limited to 333 pieces, a cheaper regular variant of precious resin is also appearing; the black version is felt by collectors to be more in keeping with the classical design of 1912. The exchangeable rings are regarded as a nice but rarely used detail in everyday life. The combination of machined titanium and the classic safety design is partly criticised as ill-fitting. Further pictures and discussions can be found in relevant collectors' forums like the Fountain Pen Network.


Why do some Montblanc writing instruments bear a model number on the cap ring and others not, and what is normal on the Generation rollerball?

Model numbers like 146 or 161 are only engraved on the middle cap ring of Meisterstücks until the end of the 1990s; after that this practice was abandoned. On smaller writing instruments like Mozart (114) or the Generation, the number is also missing; there mostly only "Montblanc" or "Montblanc Generation" as well as "Made in Germany" stands under the clip. A missing model number is therefore no indication of a counterfeit. A serial number in the clip is found only on Meisterstücks, and there too not consistently in all production years.


Does a separate customer card with services exist for Richemont or Montblanc collectors, and what advantages does it offer?

Montblanc had the "Club 4810" with a VIP club card, which granted members, among other things, an annual welcome gift, a free maintenance or cleaning of a writing instrument, a replacement leather strap or a battery change for a Montblanc watch as well as a free engraving. Admission was not open to everyone; the club has been on hold and was to be continued in revised form, with new admissions suspended. A group-wide Richemont Owners Card does not yet exist; an introduction would conflict with existing brand-specific club programmes. Handwritten Christmas greetings Montblanc only sends to selected persons, not generally to club members.


What advantages do inks of other manufacturers (Private Reserve, Noodler, Pelikan, Waterman, Lamy) offer over Montblanc ink for Montblanc fountain pens?

The main motive for third-party inks is the significantly larger colour palette, e.g. Private Reserve "Sherwood Green" or special black tones from Noodler. Waterman inks are subjectively regarded as particularly free-flowing, Lamy royal blue as a problem-free, somewhat darker standard blue. Private Reserve inks have the disadvantage of longer drying times and can smear. Pelikan ink is a classic standard, but taste preferences vary widely. Technically these inks can be filled into Montblanc fountain pens without problems.


How does one identify a Montblanc lever filler without clear type designation, with a striped green ink window and nib reading "4810 14 CT"?

The features described point, depending on size, to a Meisterstück 132 or 134, not to a 234 1/2. The window colour is originally yellow; green, orange or red discolouration arises through ink and use of the cellulose window. The imprint inscription "Montblanc Meisterstück" is typical of post-war models, while pre-war and wartime models partly bore no imprint at all. Ventilation holes in the cap are found on all pens up to the 50s and are not a distinguishing feature. A reliable identification requires photos and dimensions.


Which Solitaire versions existed of the LeGrand rollerball 162, and is the sterling-silver variant genuine?

The LeGrand rollerball was previously available in several Solitaire series: Sterling Doué, Sterling Faden Guilloche, Vermeil Faden Guilloche, Vermeil Doué (with Bordeaux-red barrel), Ramses, Nikolai as well as in the Anniversary editions 1924 and 75 Years (white gold). The Sterling Silver LeGrand version depicted is authentic; the ID number 20162 is officially assigned. A stainless-steel variant as a LeGrand rollerball was indeed shown in brochures, but actual production cannot be substantiated. With current Solitaire series, the rollerball is anyway no longer offered in LeGrand size.


What collector value does a Montblanc Writers Edition Alexandre Dumas ballpoint with the "wrong" signature have, and what should one watch out for when buying?

The Dumas writing instruments with the inadvertently applied signature of the son (Lady of the Camellias) are rare because Montblanc had them recalled worldwide; only about 15 to 20 percent compared to the later correct edition with the father's signature remained on the market. They were sold mainly through dealers who kept their stock. From this, a certain premium results for collectors compared to the regular variant, while ballpoints are generally less sought-after than fountain pens. When buying, the signature engraving should be unambiguously attributable to the son and the piece in original condition.


Of what material is a Montblanc 149 from the 1970s made, and which polishing and cleaning method is suitable?

A 149 from the 1970s is made neither of celluloid nor of modern acrylic resin, but of a plastic mixed with plasticisers, as also used in the 12x and 22x series of this period. For polishing, Wenol has long been a tried and tested means; Displex is advised against. An ultrasonic cleaning is possible but should only be carried out with disassembled individual parts, at most 15 minutes at around 50 degrees and exclusively for internal cleaning, with the ink tank necessarily filled with water. Celluloid pens must not be put in an ultrasonic bath, since colour is leached out.


What contents and highlights does the new Montblanc writing-instrument brochure offer, and what does the UNICEF special packaging of the 149 cost?

The brochure shows all standard models including Stainless Steel II, both variants of the Meisterstück Royal 146, Karajan, Bohème (also with leather surface and gemstone), Scenium and StarWalker, but without prices. The highlight is the UNICEF cooperation with elaborate special packaging, including a plexiglass case with engraved Goethe verses in his handwriting. The 149 in special packaging costs about 690 EUR, which means a surcharge of around 230 EUR. How high the donation share paid to UNICEF is not communicated in the brochure; with earlier Donation Pens, this was openly disclosed.


Where can one have a used Montblanc Charles Dickens cleaned and signs of use on the precious resin polished out?

A professional ultrasonic cleaning is offered by competent specialist retailers as well as specialised providers like scription.de. The polishing out of scratches and signs of use, on the other hand, is carried out neither by Montblanc nor by most specialist retailers, because the surface material is thereby weakened and wall thicknesses are reduced; with newer writing instruments, the warranty also lapses. Specialised restorers like Dr. Ink Thomas Watkinson polish older pieces case by case. Polishing oneself is possible with Wenol; in doing so, coated metal parts are sensitive, since gold platings are quickly worn off.


Where can one currently acquire a Montblanc Jules Verne fountain pen or pencil, and at what price level?

At a concessionaire in the Ruhr area (Oberhausen), a disassembled set with the fountain pen for 650 EUR and the pencil for 350 EUR was offered; the pencil was already sold at the time of the discussion. The address will be passed on by private message on request. Since limited editions sold individually are usually quickly sold out, prompt contact is worthwhile.


Which model and production period is an old Montblanc with lever-fill mechanism, imprint "Simplo Original Montblanc 4FF" and heart shape on the nib?

It is not a Safety, but a Montblanc Lever Filler model No. 4, produced between 1922 and 1929. With the Safety, the nib is extended and retracted via a turning knob at the barrel end; with the lever filler, the lateral lever presses via a small plate on a rubber sac. It is not a Meisterstück, since this series carries 18-carat nibs and the cap engraving "Meisterstück" or "Masterpiece" as well as model numbers from the 20/25-45 range. A detailed description can be found in the book "Fountain Pens of the World" on page VII of the appendix.


Is a Meisterstück 146 or 147 suitable for exams with twenty to twenty-five pages of writing, and which nib width is sensible?

Both models are basically suitable; the 147 (cartridge filler, "Traveller") has practical advantages on the road, because a cartridge change is faster, cleaner and less stressful than drawing up from the ink bottle. A 146 piston filler usually suffices for 25 pages and avoids carrying an ink bottle. With the nib width, many collectors advise against OBB for exams; F or M are usually more favourable under time pressure and for the legibility for examiners, although individual handwriting also matters. A pragmatic solution is the combination of a 146 with OBB for representative purposes and a 147 with F for exams, supplemented with backup writing instruments.


Are unusually cheap Montblanc leather goods (wallets) on eBay reputable, and does a national identity card fit into the Meisterstück wallet?

Price reductions clearly above the VAT rate are regarded as untrustworthy, since they can indicate stolen goods or counterfeits; in addition, filled-in warranty papers are often missing, which is why later repairs would have to be paid for in full. A purchase in the boutique or at authorised specialist retailers (e.g. Haufler in Stuttgart) is therefore preferable, also for trying on wallets. Not all Meisterstück wallets have a slot for the German national identity card; models with an ID slot are, however, in the range, which is why a personal selection is recommended. Individual buyers do however report satisfactory experiences with the eBay seller mentioned.


Is a Montblanc Meisterstück 146 LeGrand without model number on the cap ring an original, and how can a stiff piston be treated?

Even without a model number on the cap ring, a 146 is most likely genuine; counterfeits of the 146 are hardly known, presumably because the piston mechanism is too elaborate for counterfeiters. There are simply two variants: with and without printed model number. A somewhat stiff piston often comes from dried ink and becomes smoother again with regular use; a smooth-running piston as on some other brands is, however, structurally not to be expected on the 146.


How is a Parker Jack-Knife Safety 20 Lucky Curve made of hard rubber with button filling classified and assessed in the collector market?

Old Parker models are only collected to a limited extent in Germany; more specialised information sources and collectors can be found at fountainpennetwork.com. With a button filler with hardened button, the ink sac is typically also destroyed and should be replaced before renewed use. A reliable value statement is not possible without a sound market comparison; the piece is in any case worth collecting.


What value can be set for a rare Montblanc L129 (Meisterstück, ca. 1936), and which cap-ring configuration is original?

The L129 is very rare and difficult to value because of missing comparison sales; estimates in the four- to low five-figure range are only vague benchmarks, since serious collector price lists for historical Montblancs do not exist. The correct L129 carries three cap rings: a wide, gilded middle ring as well as two narrow silver rings above and below. The narrow rings were not gilded. A known earlier auction with closing price 5,520 DM (not euros) was reversed; the example in the Montblanc museum is regarded as a reference. eBay as a sales platform is disputed, since rare pieces do not necessarily achieve their actual collector value there.


Which new StarWalker counterfeits are currently appearing?

StarWalker fakes circulate in untypical colours like red/metal, orange and white, partly also with inserted white middle parts from cobbled-together parts. The white variants are occasionally falsely offered as a limited Scott Fitzgerald. Such colour variants do not exist in the official StarWalker programme and are thus a clear counterfeit indicator.


Which Montblanc model is a twist-action ballpoint with two rings at the cap end, and what value is appropriate?

Owing to unsharp pictures, an unambiguous identification is difficult; in question come a Generation or models of the 28 or 281 series. The Generation was Montblanc's former entry-level series, has not been in production for years but can be obtained from remaining stock via dealers. The new price was, according to the Corporate Gift catalogue 2004/2005, around 145 EUR; used, the value is significantly lower. An auction price of around 50 EUR is in the normal range; a real bargain it is not, in the case of a Generation or 28 model.


Are pressure and scratch marks on the barrel of a Montblanc Hommage à Chopin from putting on the cap a reason for complaint?

Marks from putting on the cap are unfortunately regarded as use-related and are hardly subject to complaint, even with higher-priced writing instruments. Anyone wanting to avoid this should choose models with screw-on instead of plug-on caps like the StarWalker. Polishing is possible oneself with Wenol; however, material is removed in the process, and coated metal parts are particularly sensitive. Boutique staff are not everywhere expertly trained; specialised retailers are often more competent and accommodating. Detailed instructions for polishing can be found in the newsletter on fountainpen.de.


Who knows or owns fountain pens of the brand Helina (Breslau or GDR period)?

Helina is known only to a small collector circle; a collector from Dresden owns a Helina fountain pen as well as several classical two-colour ballpoints, but does not have the pen for sale, since GDR writing instruments are his primary collecting area. For a targeted search for GDR fountain pens and also for the older Breslau Helina models, the forum penexchange.de is recommended, which has an active circle of GDR writing-instrument collectors. The Breslau predecessors are very rare; a photo of such a model is known, although the piece is in the USA.


Which aid is best suited for drying ink: roller with blotting-paper roll or rocker?

The classic blotting rocker avoids the typical problems of the roller, whose blotting-paper roll often comes loose and adheres poorly. With the rocker, only the inserted blotting paper has to be changed from time to time, which is uncomplicated in everyday use.


Is it normal that a Montblanc Bohème Marron dries up quickly, and are there special care notes?

A Bohème Marron should write without problems like any other Montblanc; repeated drying out is not normal. In such cases, the pen should be presented to an authorised specialist retailer or to service. Visible gold deposits at the barrel end or spots with peeling gilding are also not a known series problem and belong in expert assessment. Special home care is not necessary.


What should be considered when changing the nib of a Lamy 2000 to an M nib?

The Lamy 2000 has to be disassembled for the nib change; with improper assembly there is a high risk that the pen leaks. The change should therefore be left to a specialist or to Lamy service.


What contents does the new ink-writing-sample booklet IV offer, and what information does it provide on lightfastness and water resistance?

The booklet contains 81 writing samples on 14 DIN A5 cards, all written with the same nib, with a total ink value of over 450 EUR; the price is 25 EUR or 30 USD including worldwide shipping. Booklets 1-3 are still available. On water resistance there is an extra page with permanent inks for self-testing; general notes on lightfastness and water resistance are provided by the competing product by Greg Clark. Notable points on flow behaviour are documented in the ink reports on the related website (in English).


Which Montblanc model is a writing set with engraving "Montblanc 246" and pencil number 272, and what value is to be set?

The set corresponds, according to collector literature ("Collectible Stars"), to a Montblanc 246 combined with the matching pencil 272. The Tiger Eye variant in black is a known version. Such sets are regarded as worth collecting and well worth preserving. A concrete value statement is, with collector pieces, strongly dependent on condition and demand and is deliberately not answered flat-rate in the forum; storage in a protected area is sensible.


How did the seizure value of counterfeit branded articles develop between 2002 and 2003, and what factors explain the rise?

The value of counterfeit branded articles seized by German customs rose, according to Wirtschaftswoche (No. 29), from 76 million EUR in 2002 to 178 million EUR in 2003. As reasons, increasing import quantities (especially through the internet) and grown buyer demand for apparently cheap luxury articles are discussed. Affected are not only luxury goods but also safety-relevant products like car parts. The worldwide damage from brand piracy is estimated at around 500 billion USD (Wiwo No. 30).


How does one recognise an original Meisterstück 146 from the 1980s, and what is the significance of the single-colour gold nib, the corrugated ink window and an additional perforated ring at the barrel end?

It is an original 146 (LeGrand) from the 1980s: models of that period had monochrome yellow-gold nibs, no clip-ring number yet and only "Germany" as origin indication. The corrugated (instead of monochrome grey) ink-view window points to the late 1980s or a later barrel with an older nib. The additional perforated ring at the barrel end is a defect — the blind cap was not pushed fully forward — and should be addressed with the seller before purchase. An adjustment Montblanc charges via the service flat rate 2 with reservoir exchange; cheaper is a repair via specialised workshops like Maxpens, provided they cover the production period.


How does one identify the nib width of a Montblanc Noblesse cartridge filler from the nib tip?

A round-tipped nib typically corresponds to M, F or EF; a flat, straight tip points to B or BB. The form is best checked in comparison with a known nib (e.g. of a Pelikan 200 in M). High-resolution photos are often deceptive because of reflections and overexposure. With the Noblesse described here with clearly flattened, broad tip, it is therefore a B or BB nib. The Noblesse with stamp "750 16/18K" was offered until into the 2000s.


How does one distinguish original from counterfeit on Montblanc ballpoints and cases from eBay auctions?

A Montblanc ballpoint into which a Parker refill fits and on which the black separators between the cap rings are missing is unambiguously a counterfeit; further indications are inconsistent proportions and untidily worked cap rings. With the case, material quality and workmanship speak for authenticity; older models from the 1980s are regular. Trade in counterfeits is forbidden; buyers can insist on reversal and, in case of difficulties, turn to the eBay forums or the trust and safety area there.


How does one recognise counterfeits of a Montblanc Bohème Silver in eBay auctions?

A typical feature of such fakes is the simple iridium nib instead of the filigree original nib as well as a clearly coarser surface treatment. With the original, no smooth, non-guilloched piece of the barrel is visible when the cap is screwed on — with the counterfeit, it is. Some sellers mark the pieces as "deceptively similar to the original"; others deliberately omit the note. In hand, even a layperson usually immediately recognises the difference by feel and weight; Hong Kong sources are an additional indicator.


Is the Omas Cinema Limited Edition worthwhile as a collector's piece, and how is its market price to be evaluated?

The Omas Cinema is formally similar to the regularly available Arte Italiana Celluloid Pearl Grey, whose new price was around 800 EUR. Measured against this, typical eBay auction prices in a comparable range can be reasonable. With limited editions by Omas, an increase in value is less certain than with some Montblanc Limited Editions, since there are significantly fewer Omas collectors. A general guarantee of value stability for limited writing instruments does not exist.


Does the clip of a Montblanc Bohème necessarily lie in line with the nib, and what is to be done if it is twisted?

On every Bohème, StarWalker and Mozart, it is manually and individually adjusted in the final assembly that the clip stands aligned with the nib after screwing on; each cap belongs only to its barrel. A deviation is a service case, e.g. with a swapped cap after engraving or through over-tightening. With the Bohème Big Size, careful manual rotation of the nib with a cloth into the right position is structurally possible because the mechanism has some play. Otherwise, Montblanc service adjusts the clip flat-rate (e.g. around 52 EUR), with further inspection services included in the flat rate.


How does one distinguish a real Montblanc Donation Pen "Menuhin" from a counterfeit, especially based on cap ring and inscription?

A reliable indication is the spelling "PHILHARMONIA OF THE NATIONS" on the rear ring; the official counterfeit notes name deviating letter forms, e.g. an "A" without crossbar, as suspicious. On the original, the free area on the cap ring is not smooth but patterned. Since counterfeits with high-quality nibs and well-imitated clips exist, the pen should in case of doubt be presented in the original to a specialist retailer or boutique; photos alone do not allow a sure judgement. Variants of the Menuhin are not known.


Which versions, edition size and prices does the Montblanc Writers Edition 2016 William Shakespeare have?

The Writers Edition 2016 appears in two versions: a regular variant as well as a version limited to 1564 pieces with a price of about 3500 EUR. Accompanying this, a limited ink is offered, presumably in red. First pictures and impressions are documented in the Fountain Pen Network. The highly limited version is felt by collectors price-wise to be partly too expensive.


Where can one find information on Cartier writing instruments and their Limited Editions?

Reliable sources on Cartier writing instruments are scarce. Cartier is not an independent writing-instrument manufacturer but has various contract manufacturers produce, which is why model information is often missing or incomplete. Limited Editions do exist, but a systematic collector treatment as with Montblanc does not. Many pieces are sold rather as a sideline assortment in jewellers, which additionally narrows the source situation.


Which letter paper and envelopes are suitable for high-quality fountain pens, without felting up the nib?

Tried and tested are papers like "Zanders classic", Gmund papers as well as the range of briefpapiere.de and atramentis.de (Jansen). Important is a closed, low-fibre surface, so that the nib is not clogged by detaching fibres. Since the suitability is subjective and writing-style-dependent, the rule is: try out instead of just reading. In the forum, numerous earlier discussions with recommendations can be found through the correct search in the forum search field.


Who was the manufacturer of the writing instruments with the clip inscription "Partner" from the 1920s?

The brand "Partner" is unknown in the relevant German collector environment; in the 1920s to 1940s, thousands of smaller manufacturers existed, of which today only a fraction is documented. Confusion with Parker is, with a "Partner" imprint with classic 20s typography, ruled out, especially since Parker eyedroppers were mostly clipless and provided with an additional patent note. Promising for further research are forums like penexchange.de or fountainpennetwork.com. Material collector values are with such unknown brands mostly low.


Is a freely movable small spring in the ink tank of the Montblanc Kafka normal, and what function does it have?

The Kafka has no converter but a fixed piston mechanism that merely looks similar to a converter. The freely movable coil spring in the ink tank is regular and can also be found in newer Montblanc converters. It prevents the ink from sticking at the tank end and the ink flow from breaking off. The component is therefore a simple but effective construction and no defect.


From which period does the Montblanc ballpoint 315 date, and what value is realistic in heavily used condition?

The Montblanc 315 was made in 1958-1959. Value statements are basically relative and strongly dependent on the condition of preservation; with clear abrasion marks, the achievable price is only around 15-20 EUR, since unused pieces from the 1950s are also frequently available. Information on matching replacement refills can be found in the corresponding forum posts.


Is a cheap Montblanc ballpoint in silver look from eBay automatically a counterfeit?

No, often these are original models of the Slimline series from the 1980s, made of stainless steel — not of silver. At that time, Slimline was Montblanc's cheap mass series; the retail price in 1981 was 14.50 DM (around 7.50 EUR), the matching fountain pen cost 24.50 DM. Slimline pieces are not comparable to Meisterstücks but are authentic Montblanc writing instruments with their own history. A blanket conversion of historical DM prices to today's euro collector prices is, however, not sensible.


Which model is an inherited Montblanc fountain pen with a blue, gold-glittering barrel, imprint "METAL3" and nib "4810 18K 750"?

It is a Montblanc Solitaire 144 Ramses. The nib consists of 18-carat gold (750 stamp); the silvery-looking areas inside are not a platinum inlay in the literal sense but a platinum or rhodium intarsia, which visually creates the bicolour effect. A flat-rate value statement for used writing instruments is not possible, since the price depends decisively on condition and market demand; eBay comparison sales are the usual orientation.


Does Montblanc offer a nib exchange and repairs for the Limited Anniversary Edition 1924?

Montblanc has in the past carried out nib exchanges and repairs (e.g. of leather parts) of the Limited Anniversary Edition 1924 without problems; reported is, among others, a successful nib exchange in spring 2004. A direct, friendly telephone enquiry to Montblanc service is the recommended path, especially since these pieces have not been newly produced for some time. Warranty periods should be heeded; nevertheless, generous handling is possible.


Which elegant fountain-pen models up to 150 EUR (cartridge, B or M nib) are recommendable?

In the forum the Cross Apogee is repeatedly recommended; it is available in many noble designs and has a white-gold nib. Cross nibs tend to come out somewhat finer than with other brands (F corresponds rather to EF of Montblanc) and write harder, which can bring advantages to experienced writers. The comparatively high weight is a matter of taste and should be tried out at the specialist retailer. Alternatively, comparison with Pelikan and Lamy at the stationery specialist shop is worthwhile. Warranty statements vary over the years and should be enquired about specifically when buying.


Is it worth keeping unused Montblanc writing instruments for value increase or rather selling them?

Increases in value are realistic above all with limited editions and with vintage writing instruments up to the 1960s, especially in rarer colours like Bordeaux Meisterstücks; with standard writing instruments, a substantial value development is hardly to be expected. The market development remains uncertain, but a Bordeaux 146/167 set rather speaks for "holding" over 10 to 20 years. Collectors largely see writing instruments not as an investment but as objects of love for use; as an investment there are better alternatives. Hold back near-mint pieces before sale; sell used ones promptly when they are no longer used.


Which special cleaning cartridges or rinse cartridges exist for cleaning cartridge fountain pens, especially for the Montblanc Bohème series?

Collectors report so-called bellows or rinse cartridges that function as a small rubber syringe similar to an ear syringe and pump water through the section. They existed e.g. as a GDR product under the brand name Heiko and in different neck lengths, so that long front parts (e.g. Montblanc Traveller and Bohème) can also be cleaned. Montblanc itself issued an extra-long variant with a glass body, since glass is more durable than plastic. In addition, a single-use cartridge by Montblanc was announced, filled with cleaning fluid and intended specifically for cleaning the Bohème cartridge fountain pens.


How does one tell whether a Montblanc Meisterstück LeGrand (ballpoint) is original or counterfeit, and which list prices are usual?

On the LeGrand, the black cap rings are relatively wide; the area between them shows no recess, and the knob at the clip end is, on the original, soldered or welded on invisibly, not folded inwards visibly. If ring spacings, a visible fold or a bulgy clip tip are present, this points to a counterfeit. Since counterfeits are getting better and better, a comparison with original photos and, in case of doubt, a check by an authorised dealer is worthwhile. As a guide to prices, for spring 2007 was given: LeGrand fountain pen approx. €435 (gold) or €465 (platinum), ballpoint/pencil approx. €235 or €270; at authorised dealers, a discount is possible on enquiry.


How does one fill an old Parker 51 with the engraving "PLATINUM" and how can the ink level be recognised with a discoloured sac?

The Parker 51 uses an ink sac that on old examples is often darkened, so that the ink level can no longer be read. Replacement sacs are available e.g. via cathedralpens.co.uk, but likewise consist of black material and therefore allow no viewing window. For detailed information on model variants, filling and repair of the Parker 51, reference is made to the Fountain Pen Network (fountainpennetwork.com), which has extensive articles on this model.


Is a cap without ring engraving a Montblanc 252, and what approximate value is to be set?

Collectors report that the model designation on the Montblanc 252 (small variant of the 25x series from the 1950s) is on the turning knob, while the cap ring then remains blank and only the Montblanc inscription stands on the cap. The models can be classified in time on the basis of engraving position (cap ring or turning knob) and ink-view window (blue or white); for this, the Montblanc Diary by Wallrafen/Rösler is a recommended reference. The value depends strongly on supply, demand and above all condition and cannot be flat-rate quantified. Serious research in the specialist literature obviates many direct value questions.


Which fountain-pen model with rotary mechanism is a light, faded piece with imprint "4M", and how is such a fountain pen filled?

It is a so-called Safety fountain pen made of hard rubber, on which the nib is extended from the body via a rotary mechanism; the imprint "4M" means model size 4 with medium nib (M). The production period typically lies between 1920 and 1935. For filling, the fountain pen is held vertically, the nib turned out so far that it is about half visible, and the ink is filled in directly above the nib area; afterwards the nib is fully extended for writing or retracted again for closing. With old examples, the internal seals are often porous, so that the pen leaks; writing with such pieces is therefore often refrained from. Further details can be found at richardspens.com.


What characterises the Montblanc anniversary edition "Meisterstück Solitaire Mammoth 100" for the 100-year jubilee, and in what edition size or at what price does it appear?

The edition was issued on the occasion of the Montblanc 100-year anniversary in a run of 3 x 100 examples, 100 LeGrand piston fountain pens each in yellow gold, rose gold and white gold; the threefold 100 limitation refers to the three founders Voß, Nehemias and Eberstein. Barrel and cap show a guilloche of running-out Montblanc stars with inlays of mammoth ivory from the Siberian permafrost soil; the cap carries a specially designed 43-faceted diamond in star form, cast in acrylic. The 18-carat gold nib is colour-matched to the body with partly platinum-plated year number. The retail price is €15,000 per piece; further writing instruments (ballpoints etc.) do not exist; in Germany about 5 examples each are available.


How does one best photograph writing instruments (fountain pens, ballpoints) for appealing, high-resolution shots?

Collectors report that camera quality is secondary at small image formats; from about 5 megapixels a good compact camera suffices as well as an SLR (e.g. Canon EOS 400D with standard lens 17-55 mm). More important is a tripod, which allows high aperture values for depth of field without camera shake, as well as manual focus and a delayed shutter release, so that one is not reflected in the pen. The lighting should be indirect (daylight or energy-saving lamp on the ceiling), no flash, since this reflects and makes dust visible; table lamps produce a yellow cast, white paper in front of them a blue cast. As a base, structured white paper is suitable; for fixing the writing instruments, white tack.


Since when has the Montblanc Meisterstück 145 been produced, and why was the 144 discontinued in the classic variant but continued in special editions?

The 145 has been produced since 1998 and is essentially a variant of the Meisterstück (also marketed as Hommage à Chopin with CD); it is not to be understood as a direct successor of the 144, since there are no ballpoints and pencils in identical size to it. The 144 in the classic plug-on cap version was discontinued for reasons of product rationalisation, because the plug-on cap is regarded as a weak point and wears out over time; the replacement cap seal is not separately available and the service flat rate is comparatively high. In addition, the 144 had a screw thread metal on precious resin, which could lead to predetermined break points; on the 145, metal meets metal. In the Solitaire editions the 144 was retained, since these have a short screw thread between cap and reservoir and the range there continues to comprise ballpoint, pencil and rollerball.


Can a 40-year-old, visually impeccable Geha ink (royal blue) still be used without hesitation in modern fountain pens?

Collectors report that old ink is unproblematic as long as it does not mould, no skin forms and no clouding or streaking occurs; even inks from the 1950s have been successfully tested and still used. Printed expiry dates serve mainly the trade's sales interest but are factually mostly not necessary. If the ink writes fluidly and remains inconspicuous, it can continue to be used. It does not hurt, however, to occasionally try out new inks too, in order to support local trade and have variety.


Is the online shop "montblancpens-shop.com" with conspicuously low Montblanc prices reputable, and how can one determine the owner of a web domain?

It is a fraud site that is, according to whois enquiries, registered to an owner in China; the prices lie far below realistic market values, which is a clear warning sign. In the best case a counterfeit is delivered, in the worst case nothing at all. For checking domain owners, denic.de serves for .de domains and easywhois.com (or comparable services) for international domains; address, telephone and email data often give clues about the country of origin. Additionally, the Firefox add-on Flagfox helps, which displays the physical server location; for original Montblanc sites, the server is in Germany.


Which variants of the Montblanc 149 existed in the course of production (materials, nibs, lettering), and over which periods?

The first 149s were equipped with silver rings; in the course of the decades, the body material was changed: first celluloid, later simple plastic and finally "Montblanc precious resin" on an acrylic basis. The nibs were initially made in 18 carat, in between reduced to 14 carat and later changed back to 18 carat; correspondingly, the inscription also changed from "18 c" to "18 k". A concrete overview with all data is difficult to compile; a helpful article can be found at pentrace.com (penbase, article id 405). For final clarification, a direct enquiry to Montblanc can also be useful.


Are a Montblanc Pix ballpoint and its unusually simple packaging to be evaluated as original goods or counterfeit?

Collectors report that the ballpoint shown looks genuine and the apparently poorly finished packaging really comes from Montblanc: such packagings were used in the early to mid-1990s and were possibly intended as dealer packaging. They are not visually particularly appealing. Since counterfeits are increasingly better, a hundred-percent certainty can only be achieved through direct assessment at a specialist retailer.


What can the cause be when the forum system reports new private messages but the inbox shows none?

It was a technical problem on the side of the hosting provider: the server on which the forum database runs was briefly overloaded by traffic from other websites and unreachable for a fraction of a second, while a private message was just being sent. A safety mechanism reacted incorrectly, so that the message was apparently addressed to all users at once but could not be displayed correctly in the mailbox. After a manual intervention by the administrator, the system functioned normally again.


What information on dating, variant distinction and collector value of a Montblanc Meisterstück 254 (e.g. with advertising imprint like AEG or DüWAG) can be given?

Two variants of the 254 exist: with transparent ink window (1954-1956) and with blue ink window (1957-1959); the series comprises the sizes 252 (small), 254 (medium) and 256 (large). The 25x models are popular everyday fountain pens with a flexible nib but often suffer from cracks in the cap. Since Montblanc has only been positioned as a luxury-goods manufacturer since 1991 and the 25x were produced in large numbers as everyday writing instruments, the collector value is rather low; in the foreground stand the sentimental value and the good writing quality. With a crack-free cap and transparent ink window, a dating of 1954-1956 can be assumed.


How does one upload pictures in the right format to the forum, and are the eBay sellers pen-seller and 2nd.tom trustworthy for the purchase of a Montblanc 145P?

For shrinking and editing pictures for the forum, free programs like GIMP (gimp.org) or browser-based tools like pixenate.com are suitable; an instruction for embedding pictures can be found on the help page of the forum. Of the seller pen-seller on eBay, positive experiences exist: impeccable goods and friendly contact, so one can buy there without hesitation. Of 2nd.tom, no concrete experiences were contributed in the thread.


Are auctioned Montblanc baseball caps (with MB logo) generally originals, and are they official advertising articles?

There were various variants of Montblanc baseball caps that are official promotion articles of the manufacturer. If the logo and inscription are embroidered, these are originals. At which event exactly they were originally distributed is not always documented; they are particularly suitable as a collector's item or for collector's meet-ups.


Which model is a green-striped Montblanc fountain pen with 14C-585 nib, about 13 cm long and a cap band, presumably from Spain?

It is a rather rare piece from a series that the Spanish Montblanc distributor in the 1950s had produced in Spain in their own management with permission from Hamburg. The models existed grey-, brown- and green-striped in sizes 2 and 4, i.e. as 342 and 344. Background were high import duties and delivery difficulties from Germany; in some countries (also Denmark, Italy) complete in-house productions or assemblies from supplied spare parts were partly carried out. The quality of these Spanish Montblancs, however, did not correspond to the German minimum requirements.


Is it normal on a Montblanc Patron of the Arts Copernicus that the two middle sections and the cap ring sit loosely and are rotatable?

On comparison examples, the rings sit firmly and cannot be rotated, which suggests that loose rings represent a defect. It is recommended to contact Montblanc customer service (also by telephone in Germany) for an official assessment and, if applicable, repair, although Patron of Arts pieces are not in every case repairable.


Which manufacturer or which model is behind an advertising fountain pen with the embossed designation "solid 675", presumably from the 1980s?

Presumably the fountain pen comes from the 1970s; in this period there was a comparable design from numerous manufacturers, mostly as inexpensive entry-level fountain pens. Since no manufacturer designation is present, it is a no-name product that cannot be unambiguously assigned. For further research, reference is made to the forum penexchange.de.


Is a flea-market find with Montblanc inscription a real Montblanc ballpoint or a counterfeit?

It is a counterfeit that apparently leans on the Limited Edition Jules Verne. Indications are a clip reminiscent of metal-processing components, an end piece not true to the original with a star placed on top, as well as a "vapour-deposited" MB inscription on the middle ring including "Meisterstück" — a combination that Montblanc never produced. More than 2-10 euros should not be spent on such a piece.


How can one tell whether a Montblanc Meisterstück Classique 163 rollerball/fineliner is original or counterfeit?

Collectors report that typical recognition features are the three cap rings (especially the middle one, which on originals should not appear bulgy), the inscription "Montblanc * Meisterstück * Pix *" including inner imprint "Pix" on the clip, as well as the round, not angular, bend of the clip; the points of the star should not be too sharp, and the gold closure ring at the cap base must have the right width. On the website fountainpen.de, detailed comparison PDFs ("Vergleich-Rollerball.pdf") as well as a newsletter article with recognition features can be found. With a clear counterfeit, the following procedure is recommended: notify the seller, inform eBay, notify Montblanc and, in extreme cases, engage a lawyer or file a complaint.


Which model is a red Montblanc fountain pen with small dimensions, and what price is to be expected today?

It is a Montblanc SlimLine from the 1980s with gilded steel nib; until the early 1990s, Montblanc also produced cheap everyday and school fountain pens. The original prices were low (rollerball at the time about 19.80 DM, fountain pen somewhat above). The matching white ballpoint (see fountainpen.de) was previously between 4.95 and 30 DM; a black ballpoint with the model number on the cap ring (presumably 380, 1971-1979) moves price-wise in a similar range. Current market prices can best be ascertained via eBay searches but are generally low.


Is a purchased Montblanc 144 with old feed and narrow nib an original, and which ink should be used to optimise writing feel and ink flow?

The fountain pen described is genuine; the older model has an early feed without the lamellas typical today, which absorb ink under air-pressure changes. Narrow nibs (e.g. EF) tend to scratch more strongly than broader nibs, which glide more smoothly over the paper. The choice of ink does not influence the actual writing feel but the amount of ink on the paper: Pelikan ink (e.g. 4001) is regarded as thinner, Montblanc ink as somewhat thicker, Waterman ink as very fluid and good for ink-flow problems. With very old writing instruments, Pelikan is recommended because of water solubility, in order not to damage the feed. A nib exchange via the seller is sensible, since later nib exchanges at Montblanc are often very expensive.


Is the English dealer penhome.co.uk trustworthy, and how can one remove sticky soiling from a Montblanc Madame Pompadour with porcelain cap?

Collectors report that the owners of penhome (Simon Gray and Sean Lovell) are regarded as absolutely reliable and do not sell counterfeits; of the Madame Pompadour, no counterfeits are also known. Sticky residues, e.g. label adhesive, can if necessary be removed with cleaning benzine; as a gentler alternative, solvent-based transparent car wax ("paint protection") serves, which simultaneously cares — but not water-based, since this variant is ineffective here. With painted-on gold applications (as on the Pompadour), caution is advised, since solvents can dissolve unsealed lacquers; the same applies to ebonite and celluloid. In case of doubt, the manufacturer or a Montblanc boutique should be consulted for cleaning; for precise application, brushes of size 0 or cotton swabs are suitable.

Related pages on fountainpen.de:
• Patron of Arts Marquise de Pompadour (2001): https://www.fountainpen.de/patron-pompadour-en.htm


Is an old Pelikan fountain pen with a golden body, 14C OF nib and Pelikan logo an original Pelikan or a jeweller's/goldsmith's work?

Collectors report that Pelikan in gold existed exclusively in the 100 variant, but not in model 100N; a golden 100N is therefore not pure factory production. If, however, the gold body bears the Pelikan logo, it is a licensed refinement that could not have taken place without permission from Pelikan. In the collector scene, such pieces appear under the designation "Mä(e)nner overlay", named after the goldsmith Mä(e)nner, who among other things made Pelikan overlays; analogously, Sarastro produced overlays for Montblanc. Despite the refinement, it remains a beautiful and usable Pelikan.


Are Montblanc Meisterstück 146s with real piston mechanism (without converter) counterfeited, and how does one proceed with a stiff piston?

So far, no counterfeit 146s as real piston fountain pens are known; with a 146 with a working piston mechanism (without unscrewable end cap for a converter), an original is therefore most likely to be assumed. For final certainty, one can present the pen to a Montblanc boutique, which is mostly free; sending in to service entails a service flat rate. With a stiff piston, professional servicing is recommendable; self-removal of the piston is, with the matching key, possible but is advised against for beginners, since the damage in case of error is high.


Which features currently help in recognising typical Montblanc counterfeits (StarWalker, Meisterstück, Scenium) on online platforms like eBay?

Typical hints of counterfeits are poorly imitated packaging (e.g. with a black instead of white Montblanc star on the mountain symbol) as well as a characteristic notch on the cap rings that does not occur on originals. A well-founded comparison can be found in the Vergleich-Rollerball PDF on fountainpen.de. Counterfeit briefcases as well as Meisterstück, StarWalker and Scenium imitations are frequently offered by a few professional sellers. In suspected cases, it is recommended to inform both the seller and eBay.


What are the qualitative differences between the Montblanc 144 Classique and the 145 Chopin, and which is rather to be recommended?

Both belong to the Classique series of Meisterstücks. The main difference lies in the cap construction: the 144 has a plug-on cap that wears out over time and leads to the cap unintentionally falling off; the 145, on the other hand, a screw cap; for this reason the 145 succeeded the 144. On the 144, additionally, the gilded ring between nib and grip section tends to corrode, and the body material is thinner and breaks more easily when dropped. The 145 is somewhat thicker, which many find more pleasant. For the final choice, however, the personal writing feel is decisive — the slim 144 appears too thin for some and leads to cramping during prolonged writing.


How are the properties and the market value of the Montblanc edition ink "Carlo Collodi" to be classified?

Collectors report that the ink is delivered in a 35 ml round bottle and was originally developed for the Writers Edition pen "Carlo Collodi"; in the boutique it cost about €15, on the current market about €40, which converted to 100 ml corresponds to between €42 and €114 and ranks it among the expensive inks. Colour-wise it is a warm, distinctly orange-tinted brown tone reminiscent of wood (allusion to Pinocchio); on yellowish paper (e.g. Moleskine) it appears particularly appealing and shows a beautiful shading even with an M nib. The flow properties are described as very good, without problems in various fountain pens.


Can model information and replacement caps be found for an Astoria safety pen with the marking "Astoria 4 14 Karat"?

Since Astoria fountain pens were never sold in large numbers, the procurement of spare parts — especially caps — is extremely difficult, significantly more difficult than even at Montblanc. An attempt is worthwhile with specialised dealers and repairers, e.g. Horst Schrage (maxpens.de), Lutz Fiebig (interpens.de) or Tom Westerich (penboard.de).

Related pages on fountainpen.de:
• Astoria — brand overview (fountainpen.de): https://www.fountainpen.de/astoria-en.htm


Is it reputable when the Sparkasse, via mall4me or mastercard-exclusives, offers Montblanc writing instruments at high discount in the online shop?

Collectors report that the Sparkasse offers the Montblanc Meisterstück 164 together with leather case for about €160 (about 27 percent saving on the list price) within a time-limited campaign, without quantity restrictions. The online dealer mall4me additionally offers further Montblanc products with discounts of up to 38 percent (e.g. Platinum coin purse). Since the campaign runs via the Sparkasse, it is regarded as reputable; the Lufthansa Worldshop also carries writing instruments of the Classic series, but at full prices, redeemable against Miles & More. Such discounts on Montblanc products are unusual in any case.


How does one repair an old Montblanc Meisterstück 138 (seal, cap, star, nib determination), and how can the originality of the nib be ascertained?

The 138 is a rare and beautiful piece; a professional cleaning as well as a piston exchange are without problems possible via repair specialists (linked under the menu item "Repair" on fountainpen.de) and mostly priced reasonably. Cap and turning knob should originally be black, but the hard rubber oxidises over time and can appear brown-greenish; here too the repairer can restore the surfaces. The hole at the top of the cap prevents condensate formation and is structurally normal; the missing star can if applicable be remade, which is, however, elaborate. The 138 had three nib variants: 18-carat bicolour gold, monochrome steel and bicolour palladium; a two-tone nib with the markings 4810, Montblanc M star, curved P and 245 is most likely an original nib.


Which information is there on the Asian Montblanc edition with the Han Wu Ti nib, especially on edition size, material and availability?

The "Han Wu Ti" was produced in 2003 in a run of only 88 examples exclusively for the Asian market. The base material is solid 18-carat gold with black lacquer coating; alongside, an 8-piece edition with yellow lacquer exists. As early as 2003 the edition was completely sold out and today belongs to the most coveted high-end collector's pieces, which are only traded under the table. Occasionally the model still appears in the trade, e.g. at pensinasia.com — but at very high prices.


How accommodating is Montblanc with the nib exchange of an unused fountain pen acquired on eBay, and what costs are to be reckoned with?

A nib exchange is basically possible; without proof of purchase from a boutique or from an authorised dealer, however, a service flat rate is charged, which depending on source lies at about €39-49. If the nib is not accepted by Montblanc as near-mint, a new nib can be required, whose costs can amount to up to half of the fountain-pen price (example value: about €190 on the 146). With a near-new piece including warranty booklet, an alternative is the direct exchange at the local stationery dealer for a model with the desired nib width, which is partly possible without bureaucracy and free of charge. The boutique mostly decides on the spot and additionally allows trying out various nibs.


How is an avatar picture in the forum profile correctly uploaded and displayed beside the posts, if activation causes problems?

After selecting the image file via "Browse", the button "Upload" must necessarily be pressed in order for the avatar to be activated; the image is restricted to a maximum of 80x80 pixels and 80 kB. If too large an image is uploaded, it can happen that the original image is not overwritten when one tries to replace it, which appears as a bug in the system. In such cases, the image can be sent by email to the administrator, who then embeds it manually.


Is a BB nib on the Montblanc 149/146 suitable for everyday use as a heavy writer, or is it rather intended for signatures?

The suitability of a BB nib depends strongly on the individual handwriting; small writing fits BB worse than large writing. Collectors with large handwriting report that a BB on the 149 is very good for notebooks, letters and cards — that is, quite suitable for everyday use — and that Montblanc nibs tend to write broader than comparable nibs of other manufacturers (e.g. Kaweco, Lamy). For finer comments or marginal notes, narrower nibs (EF/F) or a rollerball are recommended. Before purchase one should bring one's own paper to the boutique and test extensively.


How are the market prices for the Montblanc Skeleton 333 (149 variant) to be classified, and is a mint-condition example for around €10,500 reasonably valued?

The Skeleton 333 had a former shop price of about €7,500; used pieces were temporarily offered for around €3,700 plus shipping, money-transfer fees, customs and import VAT, which gave a total final price of around €5,000 and was at the time regarded as a bargain. In mint condition the collector price is hardly under €10,000 any more, so an offer around €10,500 is to be regarded as market-appropriate.


How can the nib width of a Montblanc Meisterstück 144 be reliably determined, e.g. with a complaint about a mix-up of M and F?

An unambiguous determination of the nib width is practically impossible for laypersons and also difficult for experts, since the nibs are hand-ground and, e.g., a broad F can be very similar to a narrow M. An assessment based on photos is not feasible. With suspicion of a mix-up, the impression can be deceptive, because M nibs on the 144 appear too thin to many writers; a subsequently affixed nib-width sticker, however, that looks suspiciously over-stuck, can be a hint of manipulation by the seller.


How does one find the right nib width, how does one improve one's handwriting, and does a Montblanc writing instrument suit one's own style?

The right nib width can only be determined through extensive testing with one's own paper at the specialist retailer, since the writing feel is very individual; Montblanc additionally offers an acclimatisation or exchange period after purchase. Handwriting is mostly shaped at school and changes only to a limited extent later; through practice with calligraphy books, however, something can be specifically improved, although in the hectic everyday note-taking the effect remains limited. Whether a particular writing instrument suits one's own style is ultimately subjective and a question of personal taste.


Where can the current fountainpen.de newsletter (with Limited Editions list, ink reports etc.) be downloaded, and is the list complete?

The newsletter (no. 1/2007) is available in the newsletter archive of fountainpen.de in two resolutions (low resolution about 636 kB, high resolution about 1.37 MB) and has been downloaded over 2,300 times by now; older newsletters are also archived. The included Limited Editions list ("The List") is very extensive but can never be complete — e.g. the George Washington (50) from 2006 is missing. In terms of content, among others, the ink reports, Ribeiro, the Aurora visit and the Dortmund CAS get-together were highlighted positively.


How should an inherited Montblanc 149 (presumably from the 1950s) be prepared for longer storage, and what does an ink leak mean?

Collectors report that on a 149 without cork seal it suffices to flush the fountain pen with lukewarm water until no more ink residues come out; afterwards no further care is needed. Adding a few drops of ammonia water to the rinsing water removes last ink residues; the final rinse should be carried out with distilled water in order to avoid water spots. Ink leakage does not necessarily mean a piston defect — often the feed is clogged by carbon-black particles of black inks, so that the ink seeks another way. With a real piston problem or for professional cleaning, sending it to Montblanc is recommended; the service flat rate (max. about €49) is appropriate in relation to the value of the 149.


Did Montblanc pencils of the Writers Edition Dumas exist individually really only with son's signature, or also with father's signature?

The pencil of the Dumas edition existed, contrary to earlier statements, in both variants — with son's and with father's signature. The older information on fountainpen.de, according to which the father's variant was not separately available, is based on a then-reliable source and will be corrected accordingly on the website.


How can one distinguish between original and counterfeit on inherited Montblanc writing instruments (Scott Fitzgerald, Cervantes, further Meisterstücks)?

Collectors report that a Scott Fitzgerald counterfeit can be recognised by the nib and discolouration, since the original is a piston filler, the fakes, on the other hand, cartridge fillers; a Cervantes fake stands out through non-gilded rings and clip of brass as well as a flaking surface. Pure fantasy products without a real model also occur. Writing instruments with the imprint "West Germany" on the cap ring come from the period before 1991 and are, provided no further oddities are present, generally genuine.


How does one recognise a counterfeit of the Montblanc 145 by nib, serial number and converter?

A counterfeit can be recognised by several details: the imprint on the nib is far too flatly stamped and only partially platinum-plated, the serial number is, on the original, laser-etched and executed in an unmistakably different font, and the converter differs clearly on originals from the converters used in counterfeits. These points alone allow an unambiguous identification in many cases. Filing a complaint with the prosecuting authority experience shows little — more sensible is the reversal of the purchase.


Which ink cartridges are compatible with which fountain pens (e.g. Faber-Castell platinum-plated), and where does one find a corresponding overview?

A compatibility list for cartridges and converters can be found at giese-online.de (linked via penexchange.de, section "Die Tinte und der Tintenfluss"); additionally, in the Penexchange forum there is a corresponding discussion. A platinum-plated Faber-Castell additionally has a piston converter, so that instead of cartridges, ink from the bottle can be used, which allows significantly more colour choice. Occasionally there are reports that ink from the converter does not flow optimally because of the material; nevertheless, a test is worthwhile, since the cartridge range restricts in the long run.


How does the filling mechanism of old French fountain pens like "Stylox Pulseuir M 190" or "Stylomine 303V" work, and where can specialist information be found?

The model "Stylox Pulseuir M 190" largely corresponds to the Stylomine 303V described in the book "Füllfederhalter" by Andreas Lambrou (Heyne Verlag, translation Stefan Wallrafen) by the company Y. E. Zuber in Paris; a sectional drawing in the book serves for identification. The mechanism works with an internal rubber sac and an ink window in the barrel. Cleaning and disassembly take place via a water bath in which stuck parts are loosened. With old pieces from the 1950s, the rubber sac is often porous, which leads to leaks; spare parts, especially sacs, are generally no longer available, since the manufacturers no longer exist — such fountain pens are therefore in fact handled as one-off pieces. Talcum powder in the housing originally served to prevent the sac from sticking to the outer wall.


What market value does an S.T. Dupont Limited Edition Napoleon Gold (2003) fountain pen have, and how does one sell them sensibly?

S.T. Dupont is less in demand among collectors than strong brands like Montblanc, Pelikan or Nakaya, so that the achievable resale value is limited. Binding valuations are generally very expensive and often stand in no sensible relation to the market value; a guide to self-assessment can be found in the forum (Topic 2821). Generally, writing instruments lose much of their value already on leaving the shop; only a few gain value over time. Recommendation: either use yourself or, for value determination, list on an eBay auction starting at €1, since there the largest interested circle is reached.


Can a Montblanc Safety No. 1 in gold with unusually combined features (e.g. missing star on the cap and a fitted Astoria gold nib) count as an original mixed model or prototype?

Collectors do not classify such pieces as prototypes. More likely is either a subsequently inserted spare part (nibs frequently broke and were replaced by other contemporary nibs like an Astoria) or an assembled pen with barrel and cap from different models, since Montblanc never delivered writing instruments with mixed brand markings. A combination of round barrel form and octagonal cap also speaks against factory originality. A missing star and unknown model variants are, however, no unambiguous counterfeit indication, since before the Second World War many models existed and Montblanc's own pattern department was destroyed in the war. A reliable assessment is only possible through inspection in person.

Related pages on fountainpen.de:
• Astoria — brand overview (fountainpen.de): https://www.fountainpen.de/astoria-en.htm


How can the nibs be exchanged between the Montblanc 220 (cartridge pen) and 225 (piston pen)?

The exchange is basically feasible. With the piston filler 225, the front part is unscrewed and afterwards the nib together with feed is pressed out backwards. With the cartridge pen 220, one first removes the ink-view window and then likewise pushes nib with feed out. Then the nib can be changed. Caution is advised in the procedure.


How does the karma rating system work in the forum, and where does the term come from?

With the karma function, posts of other users can be rated by thumbs up or down, in order to highlight quality rather than mere post count. Per user only one rating is possible every six hours so that careful weighing takes place. Terms like Expert, Gold and Platinum Boarder were removed in the course of this. The designation karma comes from the forum software used and was not specifically chosen; a renaming would be programming-wise elaborate. In open-source environments, such Far-Eastern-leaning identifiers are anyway widespread.


Is a Montblanc Limited Edition John Lennon won at an online auction clearly under list price an original?

According to the assessment of several collectors, it is an original; the seller mentioned is known as reputable. Low prices are explained by the fact that non-specialist dealers can offer at calculatively cheaper prices. For transport, a suitable case is recommended in order to avoid scratches. Pros and cons of specialist trade compared to online purchase are widely discussed in the forum.


Should one choose the standard or the Putnam/UNICEF packaging for the Montblanc 149, and how can the nib widths F, EF and M be sensibly compared?

The choice of nib width is a matter of taste and should be tested in the specialist shop with the usually used paper, since the line width appears different depending on paper type; on smooth high-quality paper a nib appears broader than on absorbent copy paper. The differences between EF, F and M are clear, although some EF and F nibs overlap in practice. The Putnam/UNICEF packaging has additional charm and supports a charitable purpose. A supposedly identical serial number of fountain pen and case does not exist; a dealer can at any time deliver a new 149 to the existing box or have the nib exchanged free of charge by Montblanc within two weeks of purchase in the desired width.


What appeals to collectors about the Montblanc brand, and what motivations stand behind collecting writing instruments and accessories?

The motivations of collectors range from aesthetic appreciation of beautiful objects, through the cultivation of writing culture and interest in scripts, calligraphy and old books, to the idea of an investment in materialised form. Further mentioned are the connection of Montblanc with perfection and timelessness as well as belonging to a reference group that flirts with luxury brands. Some deliberately call themselves writing-instrument lovers instead of collectors, since they do not systematically complete an area but acquire individual beautiful or technically interesting pieces. Often the interest expands to peripheral areas like inks, paper, sealing wax and brand history. An unambiguous answer as to why precisely Montblanc does not exist; personality, environment and biographical coincidences play an essential role.


Does Montblanc offer factory tours in Hamburg?

Montblanc does not offer routine individual factory tours; the annual contingents are usually quickly exhausted; a renewed enquiry is possible the following year. Background, in the assessment of collectors, is among other things that the museum currently manages without a curator and is in a rather neglected state; in addition, the effort for individual visitors is high. Enquiries are partly answered via the personnel department. In the forum there are at earlier times older threads with further hints.


Are a Montblanc Meisterstück 146 fountain pen, a Meisterstück ballpoint, a Meisterstück pencil and a matching Sienna case to be checked for originality based on the inscriptions?

The writing instruments mentioned are classified by experienced collectors as originals. Until the end of the 1980s, the clip read W.-Germany, then only Germany; serial numbers were only laser-etched later. Writing instruments without a serial number and with the imprint Germany can therefore be classified into the 1990s. The case presented is presumably also original but does not belong to the Sienna series and rather comes from the 1980s in a fairly simple version.


Which Sheaffer model is a fountain pen with a gilded steel nib that seems to be neither a Targa nor another known line?

The Sheaffer described with gilded steel nib is not a Targa but a simpler model of the Sheaffer Fashion range, as a comparable piece from a Brussels sale of 1994 shows. An identification from memory is, however, only possible with reservation; a photo of the nib eases the determination considerably.


Is a Montblanc briefcase auctioned at an online auction house with applied star, imitation-leather trim and unmatching pen loops an original?

Several assessments see the bag clearly as a counterfeit; indications are the applied star, the foreign design, the deficient finishing as well as the absence of typical Montblanc embossings. Such imitations crop up regularly in online auctions. Buyers should immediately demand a reversal and, in case of dispute, use buyer protection as well as inform the brand piracy department of Montblanc; in extreme cases a criminal complaint is also possible. Experience shows that even the threat of further steps often leads to refund of the purchase price.


How can Montblanc models like the supposedly cartridge-fillable 149 or a supposed Solitaire Doué be identified, and how can pictures be posted in the forum?

A reliable identification without photos is not possible. The Montblanc 149 has never existed as a cartridge filler; with such a piece, it is presumably a Montblanc 147, which was delivered in French markets with an 18-carat gold nib. For embedding pictures, reference is made to the help pages of the forum; alternatively, pictures can be sent by email to the webmaster, who posts them. Dimensions and model overviews can be found on the page Meisterstücke of the forum website.


How does one open the lead reservoir of a Montblanc pencil 251 to refill leads?

The mechanism is opened by pulling at the rear end; alternatively, filling from the front is possible. Required here is somewhat more force, without thereby damaging the pencil.


Did Montblanc have a stylus variant of the push-knob model No. 15 without model-number engraving, and are unmarked pieces from this series usual?

This stylus version actually existed and was, according to current sources, made around 1934; in the Rösler Diary it is missing between positions 4 and 5 on page 79. Stylus pens of this early model line mostly bore no numbers on the blind cap, while the pen holders always had a model number; an unnumbered pen holder would accordingly be a converted stylus. Exceptions are, however, documented, e.g. a stylus No. 15 with engraving as well as an unnumbered 17.5 with silver overlay. Since end pieces were often interchangeable, individual mixed forms are not ruled out. A complete model listing of Montblanc does not exist; the Rösler Diary, too, has gaps.


Which converters and cartridges fit a Sheaffer Targa Slim 1005 S, and where does one obtain replacements?

For the Sheaffer Targa Slim, original Sheaffer Slim cartridges are intended, of which remaining stock is partly still offered in online trade. A tried and tested point of contact for converters and matching spare parts is Rolf Thiel (missing-pen.de), who also stocks older Sheaffer items.


Can it be judged from photos whether a found Montblanc Jules Verne ballpoint of the Writers Edition is genuine?

On the pictures, no obvious counterfeit features are recognisable; however, of the Jules Verne there are very good counterfeits, which are hardly identifiable from photos. A reliable assessment is only possible through personal inspection, e.g. in a Montblanc boutique or via Montblanc customer service; there a chargeable authenticity check can be commissioned, with the writing instrument to be sent in. Market values should not be read from asking prices but from realised sale prices, e.g. eBay sales of completed auctions.


Is a Montblanc Friedrich Schiller (Writers Edition) won at an online auction most likely an original, and what liability does the forum bear with such assessments?

The Schiller shown looks, in the assessment of experienced collectors, authentic, since counterfeiters do not convincingly reproduce the typical design details of this edition. Generally, online remote diagnoses of authenticity can never be conclusive; in case of doubt, the specialist retailer or a boutique is the right point of contact. Forum operators are not liable for content of individual posts; an obligation of content review for communities does not exist according to relevant case law. Authors of individual posts can theoretically be held responsible for false statements, which, however, is practically difficult to enforce.


Is a supposed Montblanc offered at an online auction a counterfeit, and what value range is realistic for a MonteRosa?

The piece shown is not a fake but an original MonteRosa, the simpler sister brand of Montblanc, presumably from the 1960s; a nib exchange is no longer possible on this old model. Even with old Montblanc models there are by now many replicas, so that the warning about fakes also applies in the vintage area. Binding price lists for older Montblancs do not exist; the book Collectible Stars offers price and rarity classes; current market prices can best be derived at fountain-pen fairs or by observing online auctions. For a normal MonteRosa, depending on model variant, colour (export colours are rarer), preservation and nib material, a range of around 25 to 50 euros is realistic.


Can it be said from photos whether a supposed Montblanc Solitaire Carbon Steel with Meisterstück imprint near the writing tip and a strikingly two-piece body is an original?

The features described clearly speak against an original; a Meisterstück imprint near the writing tip does not belong on the Solitaire Carbon Steel; the cap ring, the star and the form of the clip deviate, and the gap at the lower barrel end does not exist on the original model. Montblanc has never made such a model. Only the packaging could be original. A definitive assessment is only possible through a boutique or an authorised dealer on the spot.


What can be the cause of a new Omas MoMA nib in M scratching despite generous ink flow, and how does the model write generally?

A scratching nib is not typical of Omas models; collectors report that M nibs of this manufacturer generally write softly. Possible cause is a slight offset of the nib tines; in such cases, exchange at the dealer is recommended, which experience shows uncomplicatedly delivers a new nib. The typical ink flow of Omas fountain pens is, through the ebonite feed, very saturated, which can produce small ink puddles at line crossings at the start; after a few pages this usually settles. On some papers like Moleskine, the nib can additionally feather.


Is a Montblanc offered at a US auction described as a Noblesse Oblige an original, and what distinguishes the series Noblesse and Noblesse Oblige?

In the specific case there is a faulty seller description: depicted is a real Montblanc Noblesse of the third series, not a Noblesse Oblige. Both lines are different writing instruments: the Noblesse is significantly slimmer and has a metal core; the Noblesse Oblige consists of plastic and lies below it in quality and price. The faulty description presumably affects the result negatively. For a Noblesse with lacquer surface and 18-carat gold nib, a price around 119 US dollars is market-customary. When buying from abroad, customs and shipping are to be added.


Which online shops or manufacturers deliver high-quality desk accessories of leather like writing pad, quiver, bowl and note box?

Recommended are especially Lesny (schreibgeraeteaufderbruecke.de) because of its broad range and procurement possibilities, as well as the Swiss shop Landoldt Arbentz on Zurich's Bahnhofstrasse, which also delivers to Germany. For demanding handmade accessories of Arizona full-grain leather, the family business Ludwig Kopp in Offenbach (trademark LK) comes into question, which delivers via selected specialist retailers; a dealer directory is available on request. The latter pieces lie, however, in the upper price segment.


How can discolouration on a Montblanc Meisterstück K 122 of hard rubber be treated, and how high is the collector value of this model?

On the K 122, the K stands for short; it is the smallest Meisterstück of this series. The steel nib is mostly a wartime replacement nib, since the original gold nib was often given to the so-called war donation. The filling system used a rubber sac behind a pressure spring; this is, after such a long time, hard or disintegrated and should necessarily be replaced; otherwise damage threatens. The brownish discolouration is a natural ageing of the hard rubber through escaped sulphur and can only be polished by significant material removal, e.g. with Wenol; a patina is regarded as appropriate. The 122 is significantly rarer than current models, but as a small Meisterstück not as valuable as the larger sister models; market guidelines are provided by observation of online auctions.


What can lead, when cleaning a Montblanc Hemingway, to black ink emerging at the turning knob and at connection points, and how should one further proceed?

The phenomenon typically occurs when the fountain pen has not been used for a longer time and ink has dried; residues are not completely removed when moving the piston and reach, with the rinsing water, the mechanism. Since the mechanism is today made of plastic, no damage is mostly to be feared. Because of the high value of the Hemingway, the writing instrument should be entrusted to Montblanc service; a complete cleaning with disassembly and replacement of small parts costs up to about €49. In contrast to private repairers, Montblanc can in case of damage provide a replacement.

Related pages on fountainpen.de:
• Montblanc Writers Edition Hemingway (1992): https://www.fountainpen.de/writer-hemingway-en.htm


Did Montblanc produce writing instruments under the sub-brand name Cyclop for the Berlin firm Ferd. Ashelm?

Ferd. Ashelm was a Berlin business-book factory that no longer appears in supplier directories after 1945. The writing instruments offered under the name Cyclop were presumably not made in-house but bought in; whether stemming from Montblanc production cannot be established from a catalogue alone, since many manufacturers at that time made extremely similar products. A reliable assignment requires the piece in hand and the inspection of the mechanism. Montblanc did not make comprehensive office articles like glue or stamps; the additional articles in the Ashelm catalogue stem from in-house production. A complete reliable list of Montblanc sub-brands does not exist; the listings circulating on the internet are to be used with reservation.